A Generous Symphony: Hans Urs von Balthasar's Literary Revelations, by Christopher D. Denny.
Fortress Press (October 1, 2016)
A Generous Symphony offers a balanced appraisal of Balthasars literary achievement and explicates Balthasars literary criticism as a distinctive theology of revelation, which offers possibilities for understanding how divine presence may be manifested outside the canonical boundaries of Christian tradition. The structure of A Generous Symphony is a chronological presentation of the Balthasarian canon of imaginative literature, which allows readers to see how social and historical interests guide Balthasar's readings in the pre-Christian, medieval, and modern eras. While other books have examined the systematic theology of Balthasar, this book will examine the important question of how students of literature, like Balthasar, can be transformed into theologians by attending to the implicit presence of Christ in what Gerard Manley Hopkins' poem "As kingfishers catch fire . . ." called the ten thousand places. Balthasar's deep investment in the uniqueness of Christian revelation is underlined, while, at the same time, his aesthetic sympathies cause him to invest literature with ‘quasi-sacramental’ status.
The Trinity and Theodicy: The Trinitarian Theology of von Balthasar and the Problem of Evil, by Jacob H. Friesenhahn.
Routledge New Critical Thinking in Religion, Theology and Biblical Studies
Why does God permit the great suffering and evil that we see in our world? This basic question of human existence receives a fresh answer in this book as the mystery of evil is explored in the context of the mystery of the Trinity. God's permission of evil and the way in which suffering can lead human persons into the life of the Trinity are discussed in dialogue with the great Swiss theologian Hans Urs von Balthasar. In the light of Balthasar's model of the Trinity as divine self-giving love, we gain a profound grasp of the nature of suffering in human life by placing our suffering in the context of the divine life of the Triune God.
Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, by Jennifer Newsome Martin.
University of Notre Dame Press; 1 edition (September 15, 2015)
In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian’s complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar’s critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism.
Martin argues that Balthasar’s creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.
The Holy Trinity: Hans Urs von Balthasar and His Sources, by Katy Leamy.
Pickwick Publications, an Imprint of Wipf and Stock Publishers (April 26, 2015)
This book explores the ways in which Balthasar employs and adapts the thought of Sergei Bulgakov with the Trinitarian theology of Thomas Aquinas to form a kenotic Trinitarian theology that is based on the notion of Personhood as a relation of self-donating love. When we look at Balthasar's Trinitarian theology in light of Bulgakov, and particularly as a rereading of Bulgakov in light of a Thomistic Trinitarian theology, we are not only able to more clearly understand the implications of Balthasar's own Trinitarian theology but also to highlight the beauty and relevance of Bulgakov's Trinitarian contribution. This reading of Balthasar's Trinitarian theology, read in light of a Thomistic adjustment of Bulgakov, provides an excellent point of integration for an ethics that takes into account not only individual virtues and perfection but also the social/relational context of human personhood. This ethics is based in a concept of human nature bearing the imago Trinitatis and fulfilling that nature through sacramental participation and ethical extension of Christ's self-offering love.
Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, by Anne M. Carpenter.
University of Notre Dame Press; 1 edition (November 11, 2015).
Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology’s renewed interest in aesthetics. Von Balthasar’s theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.
Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.
A Trinitarian Anthropology: Adrienne von Speyr and Hans Urs von Balthasar in Dialogue with Thomas Aquinas, by Schumacher Michele.
The Catholic University of America Press (November 7, 2014).
In this magisterial work, Michele M. Schumacher seeks to promote dialogue between disciples of the Swiss theologian Hans Urs von Balthasar (d. 1988) and those of the church's common doctor, St. Thomas Aquinas (d. 1274) on a critical theological question. How are analogies and metaphors from the philosophy and theology of the person (anthropology) rightly used to address the mystery of the Trinity? She does so by considering the specific setting of Balthasar's theology: the inseparability of his work from that of the Swiss physician and mystic Adrienne von Speyr (d. 1967).
Most Balthasar scholars have not addressed in any significant manner the figure and influence of von Speyr, perhaps owing to the unsystematic nature of her more than 60 volumes (approximately 15,000 pages) of mystical theology. In addition, there is the even more lengthy work of Balthasar himself. A Trinitarian Anthropology explores von Speyr's vast mystically - and biblically-inspired theology, and the significant connections between her teaching and his.
Schumacher systematically exposits the Trinitarian theological anthropology of von Speyr, as it emerges through her vast corpus, in parallel with a development of the same theme in Balthasar's work. She uses as the basis for her work a key theme of Balthasar's anthropology: the mystery of "difference-in-unity." Balthasar presents this mystery of the theology of the person in terms of certain Spannungen or tensions: the body and the soul; the individual and the community; man and woman; nature and grace; and person and mission.
Finally, the volume exposits Aquinas' own doctrine on theological discourse, in view of initiating a dialogue with his disciples. This it does not only by responding to many of their challenges to Balthasar and their criticisms of his work, but also by demonstrating, in a spirit of Catholicism, the congruity (unity-in-difference) between Balthasar's doctrine and that of St. Thomas.
Balthasar on the Spiritual Senses: Perceiving Splendour, by Mark McInroy.
Oxford University Press; 1 edition (July 22, 2014)
In this study, Mark McInroy argues that the "spiritual senses" play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, "spiritual" realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. At the heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused on Balthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the "splendour" of divine revelation.
McInroy further argues that, in playing this role, the spiritual senses function as an indispensable component of Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic "extrinsicism," which arguably insists on the authority of revelation to the point of disaffecting the human being, and "immanentism," which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation.
Marcion and Prometheus: Balthasar Against the Expulsion of Jewish Origins from Modern Religious Dialogue, by Anthony Sciglitano.
The Crossroad Publishing Company (May 15, 2014).
Highlighting the dangerous tendency among the humanist critics of Christianity to dismiss or “debunk” the religious claims of historic Judaism, this study defends the importance of Jewish revelation and seeks to build a bridge between conservative Christians and faithful Jews. In doing so, it clarifies the uniqueness and historical claims of Christianity, especially in the context of interreligious dialogue. The book grounds itself in the thought of Swiss theologian and priest Hans Urs von Balthasar, who argued that the Western modernist dismissal of Jewish religious was a reinvention of the historical heresy of Marcionism, which rejected the Hebrew Bible and the Old Testament God. The book contends that for genuine, effective interreligious dialogue to occur, there must be more respect for Jewish origins.
Anatomy of Misremembering: Von Balthasars Response to Philosophical Modernity. Volume 1: Hegel, by Cyril O'Regan.
The Crossroad Publishing Company (March 15, 2014).
This compelling work is the most comprehensive and sophisticated account to date of the relationship between Hans Urs von Balthasar—a Swiss theologian and Catholic priest—and the German philosopher Georg Hegel. While underscoring the depth and breadth of Balthasar’s engagement with the philosopher, author Cyril O’Regan argues that Balthasar is the most concertedly anti-Hegelian theologian of the 20th century. For him, it is essential to engage Hegel because of his corrections of sclerotic forms of premodern Christian thought, but even more importantly to resist and correct his systematic thought, which represents a comprehensive misremembering of the Christian thought, practices, and forms of life. An important and original work, this book addresses a topic that puts the possibility of an authentic postmodern theology at stake.
Saving Karl Barth: Hans Urs von Balthasar's Preoccupation, by D. Stephen Long.
Fortress Press (February 1, 2014).
Challenging recent rejections of Hans Urs von Balthasar's groundbreaking study of Karl Barth's theology, Stephen Long argues that these interpreters are myopically impatient with the nuances of Balthasar's reading of Barth and fail to appreciate the longstanding theological friendship that perdured. Even more, current readings threaten to repristinate the embattled divide hallmarking Protestant-Catholic relations prior to Vatican II. Long contends against these contemporary trajectories in a substantial defense of Balthasar's theological preoccupation with Barth's thought. This book offers one of the first full contextualizations of the friendship that developed between Balthasar and Barth, which lasted from the 1930s until Balthasar's death in the 1980s. Re-evaluating Balthasar's theological work on Barth, the present volume provides a critical new reading of not only Balthasar's original volume but a wider account of the systematic engagement Balthasar carried on throughout his career. Within this, a paradigm for fruitful, generous ecumenical dialogue emerges.
Balthasar: A Guide for the Perplexed (Guides for the Perplexed), by Rodney Howsare.
T & T Clark International (August 2009)
This is a concise and helpful guide for students grappling with the main principles of Balthasar's thought. Balthasar's thought, if it is anything, is perplexing, and it is perplexing for a number of reasons. In this "Guide for the Perplexed", Rodney Howsare gives the reader a handle on these perplexing aspects of Balthasar's thought. In the first chapter he introduces the reader to the man and his unique method of doing theology. He then moves on to explaining the basic structure and nature of the triology: the aesthetics, dramatics and logic. He then deals with various theological topics: Jesus Christ, The Trinity, The Drama of Redemption, The Church and Mary, and The Last Things. A final chapter summarizes Balthasar's place in modern theology and suggests further readings for the interested reader. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.
| How Balthasar Changed My Mind: 15 Scholars Reflect on the Meaning of Balthasar for Their Own Work, by Rodney A. Howsare PhD (Editor), Larry S. Chapp PhD (Editor). |
The Crossroad Publishing Company (November 1, 2008)
Addressing the widespread and growing interest in the thought of Catholic theologian Hans Urs von Balthasar—whose influence on Popes John Paul II and Benedict XVI has been enormous—this collection, by a team of established theologians and intellectuals, reflects on Balthasar's impact. Not a collection of scholarly articles, these are essays on the way in which Balthasar's theology is being taken up into other theological and philosophical projects, as well as contemplations on how Balthasar has influenced the authors personally. Key themes include the importance of beauty, the dramatic nature of truth, the centrality of revelation, the uniqueness and universality of Christ, and the intrinsic relationship between theology and sanctity. This volume is both a first-rate introduction to Balthasar and a window into the way that great theologians understand the driving questions of their work. Contributors include Michael Hanby, Nick Healy, Francesca Murphy, Danielle Nussberger, Cyril O'Regan, Tracey Rowland, and David L. Schindler.
| Love Alone Is Credible: Hans Urs Von Balthasar As Interpreter of the Catholic Tradition (Ressourcement: Retrieval and Renewal in Catholic Thought), edited by David L. Schindler. |
Wm. B. Eerdmans Publishing Company (July 2, 2008)
In Hans Urs von Balthasar’s masterwork, The Glory of the Lord, the great theologian used the term "theological aesthetic" to describe what he believed to the most accurate method of interpreting the concept of divine love, as opposed to approaches founded on historical or scientific grounds. In this newly translated book, von Balthasar delves deeper into this exploration of what love means, what makes the divine love of God, and how we must become lovers of God in the footsteps of saints like Francis de Sales, John of the Cross and Therese of Lisieux.
Based in the theological aesthetic form, Love Alone is Credible brings a fresh perspective on an oft-explored subject. A deeply insightful and profound theological meditation that serves to both deepen and inform the faith of the believer.
| Karl Barth and Hans Urs Von Balthasar: A Critical Engagement, by Stephen Wigley. |
T. & T. Clark Publishers (September 2007).
| Light in Darkness: Hans Urs von Balthasar and the Catholic Doctrine of Christ's Descent into Hell, by Alyssa Lyra Pitstick. |
Wm. B. Eerdmans Publishing Company (February 28, 2007)
He descended into hell. Hans Urs von Balthasar, one of the most influential theologians of the twentieth-century, placed this affirmation of the Nicene Creed at the heart of his reflection on the world-altering events of Holy Week, asserting that this identification of God with the human experience is at the "absolute center" of the Christian faith.
Alyssa Lyra Pitstick’s Light in Darkness — the first comprehensive treatment of Balthasar’s theology of Holy Saturday — draws on the multiple yet unified resources of authoritative Catholic thinking on Christ’s descent to challenge Balthasar’s influential conclusions. This carefully argued, contrarian work is sure to spur debate across the theological spectrum.
| Divine Fruitfulness: A Guide to Balthasar's Theology Beyond the Trilogy, by Aidan Nichols. |
Catholic University of America Press (February 28, 2007)
This fifth and final book in Aidan Nichols's Introduction to Hans Urs von Balthasar series covers Balthasar's prodigious output from the 1940s to his death in 1988, leaving aside the great multi-volume trilogy. Nichols identifies Balthasar's most significant sources, including the Church Fathers (especially Origen, Gregory of Nyssa, Maximus the Confessor, and Augustine), Henri de Lubac, Karl Barth, and Adrienne von Speyr. He then guides the reader through Balthasar's works thematically, covering fundamental theological themes (revelation and theology, divine providence, the paschal mystery), Mary and the church, the saints, prayer and mysticism, and Christian literature. Readers familiar with Balthasar's corpus will immediately recognize the major works on which Nichols draws. Throughout, Nichols calls attention to the way in which these writings fill out and complete the trilogy.
| Scattering the Seed: A Guide Through Balthasar's Early Writings on Philosophy And the Arts, by Aidan Nichols. |
T. & T. Clark Publishers, Ltd. (September 26, 2006)
Aidan Nichols's newest book in his ongoing Introduction to Hans Urs Von Balthasar series investigates Balthasar's early explorations of music and the other arts, before launching into a ramifying but controlled survey of his—often highly original—interpretations of major philosophers and literary figures in the European tradition from the early modern period until the 1930s.
Balthasar seeks to discover elements of truth, goodness, and beauty in a rich range of figures. He gives special attention to classical German philosophers (such as Fichte, Schelling, Hegel, and Nietzsche), as well as to dramatists and novelists (notably Goethe, Schiller, and Dostoevsky), and to intellectual giants of his own century (such as Bergson, Scheler, and Barth). He also intends to prove that writers who had lost a living contact with the biblical revelation carried by Christianity were incapable of reconstituting a synthesis of ideas about the goal of man and the universe, an accomplishment that could be taken for granted in the high medieval epoch. At the same time, the modern writers whom Balthasar investigates add, in his view, crucial enhancements of human understanding—particularly in relation to history and the human subject—which must be factored into any new overall vision of the future of the human soul and indeed the human species in its cosmic environment.
| Hans Urs Von Balthasar And Protestantism: The Ecumenical Implications of His Theological Style , by Rodney Howsare. |
T. & T. Clark Publishers (September 30, 2005).
| Glory, Grace, and Culture: The Work of Hans Urs Von Balthasar |
This collection of nine essays examines and celebrates the life and thought of Hans Urs von Balthasar, one of the twentieth century's greatest Catholic theologians, an authority on the Church Fathers and author of the monumental, three-part, fifteen-volume The Glory of God, Theo-Drama, Theologic, as well as humanist, expert on culture, philosophy and literature, publisher and editor, and would-be cardinal. Appointed to become a cardinal by Pope John Paul II (he was regarded as the Pope's favorite theologian), Balthasar died several days before his elevation.
Author and scholar Ed Block, Jr., leads as editor and contributor, providing an introduction, as well as the essay Theo-Drama that relates Balthasar's characteristic theme of Kenosis with the dramatist, actor, and audience. Dr. Block brings together seven distinguished fellow scholars--David Schindler (on Balthasar's negation of Nietzsche); Peter Casarella (on the meaning and purpose of Balthasar's theological language); Christophe Potoworowski (how Balthasar relates scriptural interpretation and holiness); David Yeago (the relationship between nature and grace); Aidan Nichols (Balthasar's theological aesthetics); Virgil Nemoianu (who places Balthasar among the world's great humanists); and Edward Oakes, SJ, (who discusses Balthasar's favor of the hermeneutical method over the historico-critical).
Together these writings display the interdisciplinary facets of Balthasar's thought that synthesize into a concise, deeply-held Christian account of God and the world.
Intended as an advanced primer for undergraduate audiences, this one-volume text, with endnotes and bibliography, presents a comprehensive look at the remarkable man and his thought.
| The Eschatology of Hans Urs von Balthasar: Being As Communion (Oxford Theological Monographs), by Nicholas J. Healy. |
Oxford University Press, USA (July 15, 2005)
The unifying centre of Nicholas J. Healy's book is an analysis, in dialogue with the metaphysics of Thomas Aquinas, of Balthasar's understanding of the analogy of being. This discussion of analogy is framed by an interpretation of Balthasar's trinitarian eschatology. Healy shows that the ultimate form of the end, and thus the measure of all that is meant by eschatology, is given in Christ's eucharistic and pneumatic gift of himself - a gift that simultaneously lays bare the mystery of God's trinitarian life and enables Christ to 'return' to the Father in communion with the whole of creation.
| The Cambridge Companion to Hans Urs von Balthasar, edited by Edward T. Oakes, S. J., David Moss. |
Cambridge University Press (September 13, 2004)
| Hans Urs von Balthasar and the Dramatic Structure of Truth: A Philosophical Investigation, by David Schindler. |
Fordham University Press (August 9, 2004)
Hans Urs von Balthasar (1905Ð1988) was one of the most prolific and influential theologians of the twentieth century. This book, the first English-language study of Balthasar, seeks to show the fruitfulness of his thought by drawing out its philosophical implications for the question of truth.D. C. Schindler argues that a "dramatic" approach, shaping both the form and content of philosophy, enables a new conception of being, of human consciousness, and of their coming together to satisfy both traditional concerns about unity and postmodern calls for difference-while avoiding the pitfalls of a one-sided emphasis on either.
| The Art of Theology: Hans Urs Von Balthasar's Theological Aesthetics and the Foundations of Faith (Studies in Philosophical Theology, 25), by Stephan Van Erp. |
Peeters (April 2004)
The twentieth century Swiss theologian Hans Urs von Balthasar (1905-1988) wrote a seven volume masterpiece on theological aesthetics. He restructured theology around basic aesthetic concepts like form and beauty. The present study offers a critical analysis of Balthasar's work against the background of contemporary debates on theological foundations. The author approaches this task through a careful rereading of two of Balthasar's key sources: Nicholas of Cusa and Friedrich Wilhelm Joseph Schelling. In this way the author rediscovers hidden undercurrents in modernity from Renaissance aesthetics to German Idealism. The result is a theological aesthetics rooted in tradition and capable of understanding and communicating faith in the face of present day challenges.
| Hans Urs Von Balthasar's Theological Aesthetics: A Model for Post-Critical Biblical Interpretation, by William T. Dickens. |
University of Notre Dame Press (November 2003)
| Systematic Thought of Von Balthasar: An Irenaean Retrieval, by Kevin Mongrain. |
Herder & Herder (June 25, 2002).
| Towards a Theology of God the Father: Hans Urs von Balthasar's Theodramatic Approach, by Margaret M. Turek. |
Peter Lang Publishing (July 2001)
Among Hans Urs von Balthasar's vast corpus of theological works not one is found devoted specifically to an elaboration of a doctrine of God the Father. This study gathers and interprets Balthasar's many scattered reflections on the mystery of the God of Jesus Christ - especially those concentrated in his Theological Dramatic Theory - on its way to constructing an approach towards a theology of God's Fatherhood. Several of the most significant current issues in theology are addressed in this study, such as a reinterpretation of divine omnipotence in terms of the Father's all-powerful powerlessness, the question of the possibility of coexistence between infinite freedom and finite freedom, an understanding of the immutability of God that allows for the Father's being affected in some way by finite freedom, and an account of the Father's generative act that sees as integral to it a properly paternal modality of receptivity.
| No Bloodless Myth: A Guide through Balthasar's Dramatics, by Fr. Aidan Nichols. |
Catholic University of America Press (March 2000)
| The Ethical Thought of Hans Urs von Balthasar, by Christopher W. Steck. |
Herder & Herder (December 2001)
| Say It Is Pentecost: A Guide through Balthasar's Logic, by Aidan Nichols. |
Catholic University of America Press (March 2001)
This book offers a comprehensive summary and interpretation of Balthasar’s logic. Nichols also considers the way in which the early volume "The Truth of the World" points forward to the theological aesthetics and dramatics and also how "Theo-Logic’s" concluding volumes pick up the themes of "The Glory of the Lord" and "Theo-Drama." He looks particularly at how Balthasar relates revelation of divine beauty and divine goodness to the unfolding of divine truth. The book concludes with a retrospective review of the trilogy as a whole.
| Hans Urs von Balthasar: Outstanding Christian Thinkers, by John O'Donnell. |
Continuum International Publishing Group; New Ed edition (October 2000)
| Person to Person: Friendship and Love in the Life and Theology of Hans Urs Von Balthasar, by John S. Bonnici. |
Alba House (July 1999).
| The Word Has Been Abroad: A Guide Through Balthasar's Aesthetics, by Aidan Nichols. |
Catholic University of America Press (June 1998)
Awarded the prestigious Paul VI Prize for theology and designated a Cardinal just before his death in 1988 by Pope John Paul II, Balthasar's writings have clearly helped to shape the theological style of the Catechism of the Catholic Church. His seven-volume series The Glory of the Lord provides a rich and complex theological aesthetics approaching God (unusually) through the transcendental attribute of Beauty (Glory) rather than directly through Truth or Goodness, and drawing not only upon theology but upon the entire breadth of the European literary and religious tradition-ancient, mediaeval, modern, and postmodern.
Understandably, The Glory of the Lord in its very extent and range is difficult to assimilate. In "The Word Has Been Abroad," Aidan Nichols, one of Britain's most accomplished and lucid theological writers, succeeds in summarizing the essential theological content of Balthasar's monumental work, against the background of the living Christian tradition to which it bears such impressive witness. In this way, Father Nichols has provided a much-needed key to understanding one of the most difficult but important writers of our time.
| || The Dramatic Encounter of Divine and Human Freedom in the Theology of Hans Urs von Balthasar |
Peter Lang Publishing (1st Edition, 1997)
| Pattern of Redemption: The Theology of Hans Urs Von Balthasar, by Edward T. Oakes. |
Continuum International Publishing Group; New Ed edition (May 1997)
| || The God Who Speaks: Hans Urs Von Balthasar's Theology of Revelation (Distinguished Research) , by Larry S. Chapp. |
Intl Scholars Pubns (January 1997)
This new study is a unique contribution to the understanding of Balthasar's theology. The central thesis of Chapp's text is that Balthasar's seemingly eclectic writings can be interpreted as a coherent theological whole centered around a single controlling idea: that the Christian God is a "God who speaks" and a "God who would be known". This study is unique for it recognizes the deeply held Christian conviction that the God of Jesus Christ is a God who speaks in an articulate, recognizable, and historically visible manner. It is Chapp's contention that Balthasar's entire theological opus can be interpreted as an elaborate theology of revelation that develops a "theology of the finite" (using aesthetic and dramatic analogical categories) that acts as the condition of possibility for God's historically visible self-disclosure.
| || Marian Principle in the Church According to Hans Urs Von Balthasar |
Peter Lang Pub Inc (December 1996)
| Christology from Within: Spirituality and the Incarnation in Hans Urs von Balthasar, by Mark A. McIntosh. |
Univ of Notre Dame Pr (September 1996).
| Word and Silence: Hans Urs Von Balthasar and the Spiritual Encounter Between East and West, by Raymond Gawronski. |
Eerdmans Pub Co (October 1995).
| Hans Urs Von Balthasar: A Theological Style , by Angelo Cardinal Scola. |
Wm. B. Eerdmans Publishing Company (September 1995)
| Hans Urs Von Balthasar: His Life and Work, edited by David Schindler. |
Ignatius Press (October 1991)
| The Immutability of God in the Theology of Hans Urs von Balthasarby Gerard F. O'Hanlon. |
Cambridge University Press (October 26, 1990)
This study shows how the trinitarian theology of Hans Urs von Balthasar opens up an aproach to the controverted question of God's immutability and impassibility which succeeds in respecting both the transcendence and the immanence of God. Contrary to both Process thought and the classical Thomist position, von Balthasar's scattered treatment is here presented thematically, in a way which makes it clear that his idea of an analogous event in the trinitarian God (in which we participate) is a radical re-interpretation of the traditional Christian axiom of divine immutability.